Stop doing it by yourself. Collaborate!
Prospektor comprises Eefje Blankevoort & Arnold van Bruggen and a lot of co-creators we enjoy working with. Some of them have offices at our place on Utrechtsedwarsstraat.
We were still students when we founded Prospektor in 2004. What could be a better idea than setting off into the world armed with a film camera, a notepad, a stills camera and microphone to create your own stories, from start to finish? Well, we soon realised that collaborations with fantastic camera people, editors, composers, photographers, producers and co-creators could make our own projects and the projects we produce so much better. Not only by organising our own critique but also going in search of the best, most enjoyable and most meaningful collaborations. So that is something we now firmly believe in. We have slowly accumulated a considerable network of co-producers. The history we share with some of them goes back years – you can read more about them below.
1017 WD / Amsterdam
firstname.lastname@example.org / +31(0)614656351
email@example.com / +31(0)624607966
Arnold van Bruggen
Arnold (1979) grew up on the beautiful island Texel, where after 20 years of living in Amsterdam he moved back to. Arnold is fascinated by how the bigger movements and stories in history affect everyday life. From that background he created stories like the documentaries The Russian War and The Sochi Project. With the The Sochi Project & Hidden Wounds he experimented with new story formats in which film, exhibition, web and Arnold favorite publication format - the book - were combined.
Eefje (1978) studied History at the University of Amsterdam. Between 2002 and 2006 she regularly spent time in Iran where she studied, complied an archive for the International Institute of Social History and worked on her book Stiekem kan hier alles (You can do anything here in secret). Since then, Eefje has developed into an all-rounder in journalism, writing articles and books, as well as creating interactive projects, exhibitions and documentary films. Besides her work as a journalist, Eefje is a committee member of the Mezrab Storytelling Centre, and Grensloos Geluid (Sound without Borders).
Laura Verduijn, Producer, business director
Laura is the driving force behind Prospektor. Project management, writing proposals, editing, managing mega budgets, organising brainstorms and managing teams: many of our projects owe their success to Laura. She can do everything, on all subjects: from reconciliation in post genocide Rwanda (Love Radio) to Dutch asylum policy (De Asielzoekmachine) – and is not easily scared by the megalomaniacal scope that our projects sometimes have.
Hannah Hagen, Producer, curator
Hannah graduated in Cultural Studies and has a masters in Film & Photographic Studies. She has worked as a freelance curator for Paradox and Culturele Zondagen (Cultural Sundays) in De Hallen, among others. One day a week, Hannah helps Prospektor with all current projects.
Thomas Roebers, Cameraman, editor
Thomas is Prospektor’s secret. It was with Thomas that we travelled over half the world; from Japan to São Tomé and went back and forth across the Netherlands countless times. Thomas has been involved as a cameraman and editor in so many of our projects that hardly any summing up of his contribution could do him justice. However, the joint monster project is the exhibition in the Watersnoodmuseum (Flood Museum) on which Thomas spent months working non-stop for Prospektor in order to create a gigantic exhibition in a relatively short time. And let’s not forget the greatest partnership, which was our documentary about etcher Rolf Weijburg, which gave us free rein to travel and use our imagination while experimenting with narrative, animations and camerawork.
Els van Driel, Film maker
Els and Eefje have known each other since their student days at the Kriterion film theatre. Is soon became clear that they shared a great bond in terms of their motives and ideals. They collaborated on ‘De Asielzoekmachine’ (the Asylum Search Engine) and ‘The Deal’ and are currently working on ‘Shadow Game’. Each of them loves in-depth research and they believe the way we handle refugees to be the topic of our times.
Lara Aerts, writer, researcher
Lara is our longest-standing office mate and we never want to lose her. We have followed her inimitable career closely. She has written miles of copy for women’s and consumer magazines, she had a sex column in Grazia and wrote stories for de Volkskrant, het Parool and het Financieele Dagblad. In addition, she has worked for advertising agencies, an MBO secondary school, an aubergine-growers’ association and an orthopaedic instrument maker. She carries out research and arranges publicity for journalistic productions. Her focus is currently on documentary film: together with office mate Sanne Rovers, she made De Spelende Mens (the playing person), and she has collaborated with Els van Driel on two new documentaries about intersex children and adults. In her spare time, Lara is an assistant to a street doctor and she looks after her two miniature dogs.
Maartje Duin , Radio producer
Maartje is a dedicated, original and in-depth radio producer. Her work not only involves her investigating relevant social themes, she also searches for them through experimentation, as we can see with her live show ‘Mijn vader de sterrenkijker’ (My father the stargazer). Her projects allow her to reach a wide audience and get people talking to each other. In the next few years we will be collaborating on her podcast series, “‘Meesters en Knechten’“: een zoektocht naar sporen van het slavernijverleden in haar oud-adellijke familie.” (“‘Masters and servants’: a search for traces of the slavery in her former noble family.”) A confrontation with our relationship with the past and power relations in the present day.
Laura Stek, Radiomaker, writer
Laura Stek has a background in journalism and radio-making, however she has been experimenting more and more often with transmedia and film. We learned how to produce radio from Laura. For example, Eefje and Laura worked together on ‘One Night Stiekem’ about a woman called Lies who was determined not to reach the age of 85. As part of the interactive video Hidden Wounds about veterans suffering from PTSD, we made the two-part radio documentary ‘Mannen huilen niet’ (Men don’t cry) about post-traumatic stress disorder through the ages. Conversely, we taught Laura about what transmedia projects are and she collaborated on Imperial Courts (in partnership with Dana Lixenberg), De Migrant and she worked on ‘een luisterend oor’ (a listening ear) with Sanne Rovers. She also made her first film documentary, coached by Eefje: GIOIA.
Sanne Rovers, Film maker
Sanne is the only other film maker in our office. Arnold and Sanne met during the IDFA documentary workshop and Sanne joined us soon after. We made the children’s series Jong Geleerd Oud Gedaan for VPRO and produced her observational documentary De Spelende Mens (in collaboration with Lara Aerts).
Sanne is a film maker whose films all show that even through minor, at first seemingly trivial events, you can broach more important issues, without the need to be too serious or patronising. It is thus that De Spelende Mens holds a mirror up to the viewer: where is the boundary between what we believe to be ‘normal’ play and what we find weird or even embarrassing?
Bjorn Warning, musician, sound editor
Sound editing often goes unnoticed. However, it is an essential part of almost all of our projects. Björn makes music, does sound editing and provides us with strange yet appropriate content for our soundtracks. His studio is at the Nieuwe Meer in a former army barracks that has been converted into a large community of artists. There’s no bigger party than going to Warning Studios at the end of a production.
Wouter Vroege, Programmer, Slices director
‘I almost never communicate synchronously,’ says Wouter about his methodology. Secretly, though, this programmer and founder of a start-up called Slices is much more sociable that his comment would have you believe. He can also collaborate, as is proven by De Migrant by Anaïs López.